To achieve the growl effect you will need to automate, or manually manipulate, the amount of modulation being delivered from Operator E to Operator F. This wraps up the sound as it is presented in the tutorial. On the Effects window, a Shelving EQ and a Peak EQ are used to shape the sound to ensure the right frequencies are accented. A small amount of Digital Quality is added for character and a touch of presence. The Detune setting is reduced slightly, while the Pan parameter is turned all the way up. Here the total number of unison voices is increased to two. Before leaving the FM Matrix it should be sounding a bit like a drill synth with a bit of a metallic edge to it. In this video I show you how to take the preset I used to make Zomboys favourite bass that he used in Rotten and Biterz and by just a few click I create a bunch of different cool sounds. Starting with the FM Matrix, you will see that there is a whole lot of modulation happening for just one operator being routed to the main output strip. Go and check Letsynthesize Academy: NAtive INstruments FM8 is an awsome synth. This particular FM8 dubstep growl bass is created entirely within the synth and can be completed in just a few minutes! There are very few though that do not require further processing outside of the synth itself. There have been a ton of Skrillex style bass tutorials made for FM8 since he mentioned that it is his preferred synth to design sound in. This FM8 dubstep growl bass tutorial is produced by one of our younger community members, at just 14 years old, and he delivers a very cool bass synth that you will definitely want to get your hands on.
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